When Clapham Rick stayed with us for a week
we concealed our little silver knick-knacks,
those which might be pocketed unnoticed
till cleaning later when a lack of dust
would cough their absence from the mantelpiece.
We felt rotten – as if we’d breached his trust.
He said he’d dumped the junk and kicked the horse,
was clean as snow – but for the booze, of course.

He said our farmhouse with its bird-pulled thatch
made him feel uncomfortable, spooked by bats
outside the window, the only night sound
the scrabble of house mice. He couldn’t rest
without a traffic lullaby to drown
the darkness out. It was probably best
he didn’t come to stay in January –
when vixens yelp like beaten babies.

Selected byJenn Zed
Image credit:Kostiantyn Vierkieiev
Marc Woodward

http://marcwoodwardpoetry.blogspot.com/

 

Marc Woodward is a poet whose work has been widely published in journals and anthologies, and a musician who has performed and taught internationally.

He has been shortlisted for the Bridport Prize and commended for the Aesthetica Award and the Acumen prize.

A New Yorker by accident of birth, he has been resident in rural Devon, England for a loooooong time.

Recent collections:

‘Fright of Jays’ published 2015 by Maquette Press;

’Hide Songs’  published 2018 by Green Bottle Press.

’The Tin Lodes’ (co-written with Andy Brown) published 2020 by Indigo Dreams Press.

and

‘Shaking the Persimmon Tree’ published in 4/2022 by Sea Crow Press.

‘Grace Notes’ a collection of music related poems written in collaboration with Andy Brown is due out from Sea Crow Press in 2023.

He can be found on Facebook at www.facebook.com/marcwoodwardartist

and on twitter @marcomando or at www.marcwoodwardpoetry.blogspot.com