When Clapham Rick stayed with us for a week
we concealed our little silver knick-knacks,
those which might be pocketed unnoticed
till cleaning later when a lack of dust
would cough their absence from the mantelpiece.
We felt rotten – as if we’d breached his trust.
He said he’d dumped the junk and kicked the horse,
was clean as snow – but for the booze, of course.

He said our farmhouse with its bird-pulled thatch
made him feel uncomfortable, spooked by bats
outside the window, the only night sound
the scrabble of house mice. He couldn’t rest
without a traffic lullaby to drown
the darkness out. It was probably best
he didn’t come to stay in January –
when vixens yelp like beaten babies.

Selected byJenn Zed
Image credit:Kostiantyn Vierkieiev
Marc Woodward

http://marcwoodwardpoetry.blogspot.com/

 

Marc Woodward is a poet whose work has been widely published, and a musician (though now retired due to Parkinson’s Disease) who has performed and taught internationally.

He won the 2025 Hippocrates International Prize for Poetry in Medicine and has been shortlisted for the Bridport Prize, commended for the Aesthetica Award and Acumen prize and is a Pushcart nominee.

A New Yorker by accident of birth, he has been resident in rural Devon, England for a loooooong time.

Recent collections:

‘Fright of Jays’ published 2015 by Maquette Press;

’Hide Songs’  published 2018 by Green Bottle Press.

’The Tin Lodes’ (co-written with Andy Brown) published 2020 by Indigo Dreams Press.

‘Shaking the Persimmon Tree’ published in 2022 by Sea Crow Press,

‘Grace Notes’ - a collection of music related poems written in collaboration with Andy Brown, Sea Crow Press, 2023.

 

He can be found on Insta @marcowoodward

and Facebook at  https://www.facebook.com/marcowoodward

 

and on twitter @marcomando or at www.marcwoodwardpoetry.blogspot.com