Snake out of the concrete oven,
the miles of basking suburbs,
business parks and gravel pits,
through parched fields, fleeting stations
then further still into the south country.

Out along the Kennet and Avon
a girl in a hat and cut-off denim
waits her turn at the lock gates
as Thor and Celestia float low
on their watery doppelgängers.

Sugar-gold grass leans into the heat.
Over a redbrick farmhouse
a black oak looms dusty
and huge as a thundercloud.
A combine turns in a field of grain.

The Vale of Pewsey,
the Westbury White Horse.
The rising edge of Salisbury Plain.

You might think there’d be kites,
on a day like this. Forked tail kites
sketching out their territory of sky
scoping for voles in the corn.
But no. Just a caution of rooks,
a lumber of wood pigeons.

The man across from me
says there haven’t been  
so many kites recently.

Burnt allotments, a woman
sunbathing on a recliner.
A shepherd’s hut on blocks.
A donkey scratching on a fence.
Two dogs exercising their jaws.

Then Frome cattle market and Bruton dovecote.

How can they water all these cows?
Sloping from one pool of shadow to another.
How will they feed them next winter?
Hillside sheep – white flakes
on the bare scalp of the Earth.

Maybe those missing kites
were just gathering to leave,
like swallows in September?

Maybe there were always strings attached.

Southern England in a heatwave,
the land crawling to the well
only to find a borehole of bones.
This last day of July. 2026.

_______________________________________________________________________________________________________________

Click on the Play arrow below to see the author comment on and read this poem:

Selected byRaymond Huffman
Marc Woodward

http://marcwoodwardpoetry.blogspot.com/

 

Marc Woodward is a poet whose work has been widely published, and a musician (though now retired due to Parkinson’s Disease) who has performed and taught internationally.

He won the 2025 Hippocrates International Prize for Poetry in Medicine and has been shortlisted for the Bridport Prize, commended for the Aesthetica Award and Acumen prize and is a Pushcart nominee.

A New Yorker by accident of birth, he has been resident in rural Devon, England for a loooooong time.

Recent collections:

‘Fright of Jays’ published 2015 by Maquette Press;

’Hide Songs’  published 2018 by Green Bottle Press.

’The Tin Lodes’ (co-written with Andy Brown) published 2020 by Indigo Dreams Press.

‘Shaking the Persimmon Tree’ published in 2022 by Sea Crow Press,

‘Grace Notes’ - a collection of music related poems written in collaboration with Andy Brown, Sea Crow Press, 2023.

 

He can be found on Insta @marcowoodward

and Facebook at  https://www.facebook.com/marcowoodward

 

and on twitter @marcomando or at www.marcwoodwardpoetry.blogspot.com