When I was nineteen, lost, alone,
depraved and often raving from
the lack of food and meaning,
walking the streets for days
on end after dropping out
of college the better to sink,
an old man stepped up to me
and said, “Don’t look so down.
Hold your head up. Be proud
you’re a human being,” his words
the key to the lock I could not open
by myself and I immediately went to
my secret place, a circular depression
of rocks hidden by trees, wept until empty
and emerged, later, somewhat cured. Today,
at the Sunflower Grocery after work, dirty, tired,
looking for the shortest check-out line, I noticed
one checker four lanes over with no customers,
though all the other lanes were full. But what
attracted me, more than the empty lane, more
than curiosity as to why no one would use her,
was the pure sadness radiating from fifty feet
away. I went down and said, “You look so
unhappy,” as I emptied my cart, hoping to
make a joke of what I assumed was no
more than boredom or disgust at her
crappy job, engage some engagement
of the common exchange I’ve come to
depend on as a substitute for humanity.
But she did not smile, and I noticed she was
very young, very pale, very pregnant, visibly
exhausted, possibly in pain, possibly, ultimately,
alone at the end of the day. As I paid and gathered
my bags, feeling guilty, for she was about to cry, I said
“Take care, now,” but I didn’t tell her to hold her head up,
didn’t say, “Be proud you’re a human being.” Didn’t even say,
“Hang on, kid, you’ll make it.” I wasn’t brave enough to touch
her where she needed to be touched. Or perhaps I knew to do so
would destroy her in the moment, as she had no easy access to
her crying place. No one is a stranger to pain, and some pain
appreciates the lancing; but other pain, at other times,
is too big to be touched at all.

Selected byRaymond Huffman
Image credit:NITISH GOSWAMI

Matt Dennison’s poetry and fiction  has appeared or is forthcoming in:

 

50 Haikus, 94 Creations, 99 Pine Street, 1870 Poetry, A-Minor Magazine, A Cappella Zoo, Absinthe Poetry Review, Abstract Magazine, The Acorn, Across the Margin, After Happy Hour, After the Pause, Aji Magazine, Akitsu Quarterly, The Alarmist, Alba, Algebra of Owls, Amaryllis, Angry Old Man, Anti-Heroin Chic, Arcadia Magazine, Artful Dodge, As It Ought To Be, The Asses of Parnassus, The Aurorean, Autumn Sky Poetry Daily, Ballast Journal, Barren Magazine, Bayou Magazine, The Battered Suitcase, Beechwood Review, Belle Ombre, Big City Lit, The Big Windows Review, Bindweed Magazine, Black Buzzard Review, Black Heart Magazine, Blazevox Online Journal, Blink-Ink, Blood and Bourbon, Blognostics, Blueline Magazine, Blue Crow Magazine, Blue Earth Review, Blue Unicorn, Bohemia, BOMBFIRE, Bop Dead City, Bottle Rockets Press, The Broadkill Review, Cause & Effect, Cavity Magazine, The Cerurove, Chiron Review, Cider Press Review, Clark Street Review, The Coachella Review, Coffeehouse Poets Quarterly, Columbia College Literary Review, Concho River Review, Constellate Literary Review, Controlled Burn, The Collidescope, concīs, Cottonwood Literary Magazine, Counter Punch, Coup d'Etat, Crow Toes Quarterly, The Cryptonaturalist, Curbside Splendor Publishing, The Current, Dead Snakes, Defenestration, The Delinquent, DIAGRAM, Dime Show Review, Diner, Divot: A Journal of Poetry, Dodging the Rain, dotdotdash, Dreich Magazine, The Drunken Llama, Dunes Review, E-Ratio, Ethel Zine, Eunoia Review, Every Pigeon, Exacting Clam, Existere, Eyedrum Periodically, The Fiction Pool, The Field Guide Poetry Magazine, Firewords Quarterly, The Four Faced Liar, Frogpond, G.W. Review, Gargoyle Magazine, Gnarled Oak, The Gorko Gazette, Grasslimb, Grand Little Things, Graveside Press: Illustrated Poetry Anthology, Great Weather For Media, GUD, Guts Publishing, The G.W. Review, haikuniverse, The Heartland Review, Heliosparrow Poetry Journal, Hiram Poetry Review, Hobo Camp Review, Horror Sleaze Trash, In Between Hangovers, Indefinite Space, Infinite Scroll Magazine, The Inflectionist Review, Innisfree Poetry Journal, Isacoustic, Jabberwock Review, Jersey Devil Press, Juke Joint Magazine, Juked, The Knickknackery, Kudzu, Ligeia Magazine, Liminoid Magazine, Live Nude Poems, Loquacious Placemat, The Lost Poetry Club, Loud Coffee Press, The Louisville Review, The Lumberyard, Lummox Poetry Anthology, Mad Hatters' Review, The MacGuffin, Main Street Rag, Marginalia, The Mas Tequla Review, Matador Review, Matrix Magazine, Meat for Tea: The Valley Review, Melancholy Hyperbole, The Mas Tequila Review, Merion West, The Metaworker, The Midwest Quarterly, Midwestern Gothic, Milkfist, The Milo Review, Mississippi Crow, Mobius: The Journal of Social Change, The Mochila Review, Modern Haiku, The Monarch Review, Monkey Kettle, Monkey Puzzle Magazine, MONO., Moose & Pussy, Moss Trill Poetry Blog, MSU Libraries Short Edition, Muddy River Poetry Review, Muscle & Blood, The Nassau Review, The National Poetry Review, Natural Bridge, Naugutuck River Review, Nerve Cowboy, Neologism Poetry Journal, Newington Blue Press, The New York Quarterly Magazine, Night Train, Nixes Mate Review, Noble Gas Qtrly, Noon: Journal of the Short Poem, Northwest Indiana Literary Review, The Northwind Writing Award, Obsessed With Pipework, Oddball Magazine, The Old Red Kimono, Olympia Review, One Art: A Journal of Poetry, One Hand Clapping, One Sentence Poems, Other Poetry, Otoliths, Owen Wister Review, Oyez Review, The Panhandler, Paper Wasp, Pembroke Magazine, Penwood Review, Petite Hound Press, Petrichor Machine, Pilgrimage, POETiCA Review, The Poetry Bus, Poetry Quarterly, The Portland Review, PØST, Pouch, Prole, Quatrain.Fish, Quarter After Eight, Qwerty Magazine, Rabbit Catastrophe, Rambunctious Review, Random Sample, Rattle, Raw Dog Press, Red Fez, Red Wheelbarrow, Redactions, Red Eft Review, Redivider, Reed Magazine, Riddled With Arrows, The Rising Phoenix Review, The Roanoke Review, Rue Scribe, The Rumen, Runes, The Rusty Truck, The Rye Whiskey Review, Sadwrn, San Pedro River Review, Saranac Review, Satori, Scapegoat Review, Sein und Werden, Sheepshead Review, Short Circuit, Sierra Nevada Review, Slippage Lit, Slipstream, Snow Monkey, Sonic Boom, Sonoma Mandala Literary Review, Soor Ploom Press, Sortes Magazine, Soul-Lit, Soundings East, The Sow’s Ear, Spillway, Spitball, The Spoon River Poetry Review, Sprung Formal, Star 82 Review, Steel Toe Review, Stephen A. Dibiase Poetry Contest, Stickman Review, Steam Ticket, Steel Toe Review, Stickman Review, Strange Poetry, Stray Dog, Stymie, Sublunary Review, SugarSugarSalt Magazine, Survision Magazine, Temenos, Thema, Third Wednesday, Toucan Review, Trailer Park Quarterly, Tree Killer Ink, Trampoline, Triggerfish Critical Review, Trouvaille Review, Tulane Review, Turbulence, Twelve Mile Review, Two Thirds North, Ubu, The UCity Review, Under the Basho, The Ugly Tree, The Unrorean, Up the Staircase Quarterly, Urtica Lit Blog, Viewfinder Literary Magazine, Vita Brevis Poetry Anthology, Veil: Journal of Darker Musings, Visions International, Waterways, Welter, Whale Road Review, Whiptail: Journal of the Single-Line Poem, Whiskey Island, White Stag Journal, White Wall Review, The Wild Word, The Windless Orchard, The Writer’s Circle Anthology Series, The Wondrous Real, Yellow Silk, Yemassee, Zymbol

 

 

He has also made poetry videos with Michael Dickes, Marc Neys, Jutta Pryor & Marie Craven,

 https://www.barnesandnoble.com/w/kind-surgery-matt-dennison/1135926181

 https://mainstreetragbookstore.com/product/waiting-for-better-matt-dennison/

https://www.facebook.com/profile.php?id=100008709036240