Christmas morning,
sunlight creeping in like a landlord
knocking for rent.

stocking caps hung limp,
empty as a politician’s promise.
the tree stood bare,
no gifts, no mess,
just me and my mismatched socks
staring into the abyss of “nothingness.”

in the kitchen,
milk sweating in its glass,
a plate of cookies looking desperate,
their sprinkles pleading,
but the whiskey?
gone.
bottle tipped over,
glass still sticky with a smear of regret.

and there it was—
a note,
scrawled in handwriting like a drunk uncle’s:

“Roof’s jacked. My bad.
Tell your insurance it’s sleigh damage.
Good luck with that one.”

then the kicker,
a postscript dripping with dread:

“P.S. Tariffs are coming.
Toy production’s gonna tank next year.
Better start saving for socks or coal.”

outside,
the roof—
a crime scene of shingles,
a splintered gutter dangling like a tooth
knocked loose in a bar fight.

inside,
me,
sitting by the empty tree,
thinking:
at least the cookies survived,
but if Santa’s right about the tariffs,
I should probably hide the whiskey
next year.

Selected byRaymond Huffman
Image credit:Willgard Krause
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. He writes in a style he calls muscular lyricism—a fusion of Hemingway’s grit, Joyce’s lyricism, and Camus’ philosophy of the absurd, where clarity and compression meet rhythm and existential depth.

 His poems balance strength and tenderness, silence and rhythm, absurdity and hope. He has been published in Washington Square Review (2025), The McNeese Review, South Florida Poetry Journal, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, Mayday Magazine, The ManifestStation Magazine, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.