I stand steady,
stone in the stream,
current breaking
but never breaking me.
My silence commands.
My presence
settles the room.
They lean in—
without knowing why.

Beneath,
a furnace hums.
The quiet masks
a hunger,
an ache not for peace
but for fire,
not for calm
but the storm
that could strip me bare.

I have carried restraint
as creed,
as bridle.
But I do not long
for the simple keeping of love.
I long to fall,
to be torn loose,
to be carried—
not standing
but swept.

And she—
when she comes—
will not ask.
She will strike,
and I will yield.
She will strike,
and I will open.
Stone broken,
river claimed,
breath taken,
breath returned.
I will fall—
and falling,
at last unmoored.

Selected byJenn Zed
Image credit:Rick J. Brown
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. He writes in a style he calls muscular lyricism—a fusion of Hemingway’s grit, Joyce’s lyricism, and Camus’ philosophy of the absurd, where clarity and compression meet rhythm and existential depth.

 His poems balance strength and tenderness, silence and rhythm, absurdity and hope. He has been published in Washington Square Review (2025), The McNeese Review, South Florida Poetry Journal, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, Mayday Magazine, The ManifestStation Magazine, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.