On the rooftops of Kyiv we master
the circle dance, the feel of wood
that can still support our weight.

We sing Hava Nagila and Oh, Marichka,
especially when the power is out and
winter tugs at our sleeves, asking

for bread. With battered telescopes
we learn to tell Jupiter apart from Orion,
an Iskander-M from a Shaheed drone.

Elsewhere, people lounge on couches
or pace on plush carpets, fretting about
nose hairs, Christmas gifts, cracked plaster.

If you ask at the right moment—between
bomb blasts, say—we might confess
to feeling more alive than ever, all of us

neighbors now, life stripped to its essence
of survival, death, and poetry. But Andriy
is on the front in Donetsk, Ivan is recovering

from shrapnel wounds, Aunt Polina died
in a missile strike on Odesa, and little Misha
has seen too much. So nightly we take up

our samovars and cots, our tourniquets
and banduras; nearby, collared dove chicks
make their first comical attempts at flight.

Selected byRaymond Huffman
Image credit:Anatolli Bohorod; Ivan Honchar Museum National Centre of Folk Culture ; Kyiv
Andy Posner

Andy Posner grew up in Los Angeles and earned an MA in Environmental Studies at Brown. While there, he founded Capital Good Fund, a nonprofit that provides financial services to low-income families. When not working, he enjoys reading, writing, watching documentaries, and ranting about the state of the world. He has had his poetry published in several journals, including Burningword Literary Journal (which nominated his poem ‘The Machinery of the State’ for the Pushcart Poetry Prize), Noble/Gas Quarterly, and The Esthetic Apostle.