Lit a match in the wind. It fought—
not for warmth, nor for light,
but to be.
The girl at the café said I was distant.
I said I was present in my own way.
She smiled,
and the match went out.

The world doesn’t owe us tenderness.
Still, I reached for her hand once—
she recoiled like I’d handed her
a stone instead of skin.
I wanted to say: this is what I have.
The stone is not cold,
only honest.
I almost lied, just to feel her hand stay.

I walk the same street each dusk.
Dogs bark behind rusting gates—
wiser than men who beg love to stay.
I nod at them.
They understand revolt.
To love her would mean surrender,
and I was born with fists
even when I pray.

Selected byRaymond Huffman
Image credit:AI-generated by Open Arts Forum
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. He writes in a style he calls muscular lyricism—a fusion of Hemingway’s grit, Joyce’s lyricism, and Camus’ philosophy of the absurd, where clarity and compression meet rhythm and existential depth.

 His poems balance strength and tenderness, silence and rhythm, absurdity and hope. He has been published in Washington Square Review (2025), The McNeese Review, South Florida Poetry Journal, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, Mayday Magazine, The ManifestStation Magazine, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.