CHARACTERS

LCPL. JACKSON TURNER African-American, 21, from D.C. Athletic, disciplined, quiet. His father was laid off from a federal agency during a DEI restructuring.

PFC. RICARDO SANTIAGO Hispanic-American, 20, from East L.A. Edgy, sarcastic, emotional. His undocumented family lives in fear of ICE.

LCPL. COLE ANDERS Caucasian, 22, from rural Ohio. Stoic, proud, grounded. His family’s hardware store is barely surviving due to tariff pressure.

SETTING

Camp Pendleton, California. A shared barracks, late afternoon. Harsh overhead lighting. Three cots, lockers, disassembled rifles being cleaned. A quiet fan clicks. There’s a weight in the air–habitual discipline masking unresolved tensions.

TIME

3:00pm.

Scene 1-3 Marine barrack. Now.

 
SCENE 1​

 

(Lights up. The Marines sit on the floor in a triangle, cross-legged, cleaning rifles. Minimal chatter. Brushes scrape metal. JACKSON oils his bolt carrier. COLE inspects his charging handle. RICARDO spins a firing pin on the floor.)​

 

COLE​

Heard from home this morning. Dad’s been working double shifts at the shop. Says he’s thinking about closing early a few days a week just to save on power.

RICARDO​

That bad?

COLE​
(small nod)​

Yeah. Sales dried up. Supply’s weird, prices are up. Folks just stop coming when stuff costs more than they remember.

JACKSON​

Prices didn’t just walk up on their own. Someone lifted ’em.

COLE​

He doesn’t blame anyone. Says it’s just “a bad stretch.” You know him. Always finds some silver lining no one else can see.

RICARDO​

That silver lining’s probably stapled to a red, white, and blue excuse.

COLE​

He doesn’t talk about the news. Just tells me to “stay squared away” and keep the Turner wrench hanging on the wall. Family motto or something.

JACKSON​
(smirks)​

The wrench fixes everything?

COLE​

If it doesn’t, he just hits it harder.

(They chuckle. RICARDO stops spinning the pin and leans forward.)​

 

RICARDO​

My sister says ICE circled the block again. Third time this week. They didn’t stop, but my mom went straight into the back room anyway. It’s like… she can smell them before the tires hit the curb.

COLE​

They haven’t–

RICARDO​

Not yet. But they got Marco last month. Still no word.

JACKSON​

Jesus.

RICARDO​

Yeah.

(Beat. JACKSON quietly reassembles his bolt, focused.)​

 

JACKSON​

My dad called last week. Told me HR “reorganized” the office. Said they were restructuring for a more “representative future.” That’s how they phrased it. They kept the interns. Cut him. Thirty years, gone.

RICARDO​

That DEI window dressing?

JACKSON​

Said the department looked too “top-heavy.” Apparently, being experienced and Black makes you obsolete.

COLE​

I’m sorry, man.

JACKSON​

He’s been trying to act like it’s a break. Said he finally has time to do woodworking. He doesn’t even own a drill.

(They all sit quietly. Cleaning continues. Fan clicks once. Twice.)​

 

RICARDO​

Guess we’re all just holding it together with glue and boot polish.

SCENE 2​

 

(Rifles halfway reassembled. The tone has shifted. Everyone’s a bit too quiet, too focused. JACKSON tightens his sling. COLE folds his cloth a third time. RICARDO eyes the ceiling.)​

 

RICARDO​

You ever feel like we’re just rotting here? Cleaning gear, running drills, waiting for something that never comes?

COLE​

You saying you don’t want to get deployed?

RICARDO​

Hell no, I do. I want to be out there. FOB duty, convoy protection–real heat. Not stuck in Pendleton organizing toolkits and waxing floors for inspections.

COLE​

Word is 3/7 is rotating into the Gulf. I heard it over at division last week.

RICARDO​

Lucky bastards. They’ll see something. Do something. We’re just sitting around waiting on a duty roster and rubber chicken at chow.

JACKSON​
(still cleaning)​

It’s the Corps. You wait. You prep. You move when they say. No guarantees where. No promises when.

(COLE looks up briefly.)​

 

COLE​

Wouldn’t mind getting boots on sand. Foreign soil. At least then you know who’s who.

RICARDO​

And it counts for something. Something you can explain when you go back home.

(A beat. JACKSON wipes down a part that’s already clean.)​

 

JACKSON​

Explain what?

RICARDO​

That we didn’t spend the best years of our lives guarding a fence no one’s breaking through.

(Beat. JACKSON wipes a bolt that’s already spotless. RICARDO shakes his head slightly.)​

 

COLE​

Meatloaf again in the chow hall. Same one from Pendleton to Okinawa.

JACKSON​

It’s not meatloaf. It’s a morale test.

RICARDO​

I miss my mom’s arroz con pollo. Way too salty. Burned the bottom of the pot every time.

COLE​

Ma used to yell at me for leaving boots in the kitchen. Like that was a crime.

(A moment. Tension eases slightly into nostalgia. Then silence returns. The weight hasn’t lifted–it’s just been relocated.)​
 
SCENE 3​

 

(Rifles fully assembled. Three Marines sit quietly. Their bodies lean–physically solid, emotionally cracked. RICARDO lays back on the floor. JACKSON checks his magazine for the fifth time.)​

 

COLE​

Platoon Sergeant says back in Helmand, they could smell IEDs before they saw ’em. Said your gut knew first. You’d feel it–like a wrong note in your chest.

RICARDO​

Said they ran patrols so long their boots rotted out. Told us you’d get used to the taste of dust–like copper and ash. Made your spit gritty.

JACKSON​

He told me they had one guy–Stoker–got clipped and still cleared a compound before he even bled out. Said he wouldn’t die till he finished the sweep.

COLE​

Yeah. He talks about it like it was the real thing. Said nothing back here even comes close.

RICARDO​

We get up, clean rifles, run drills. Eat paste, sleep in shifts. But those guys? They did something. They left a mark.

JACKSON​

Or carried it.

(A heavy pause. RICARDO sits up, restless.)​
​
RICARDO​

Yeah. They get to see something. Do something. We’re just waiting on a phone call and a dry-ass chow schedule.

(pause)​

I swear, last week’s beef stroganoff gave me the kind of diarrhea that made me rethink my oath.

COLE​

Which one? The enlistment oath or the one where you promised not to crap in the laundry room?

RICARDO​

I was close, bro. I didn’t trust a single fart for three days.

JACKSON​

That’s not food. That’s chemical warfare.

COLE​

Should’ve sent it to North Korea. We’d have peace by now.

(They all laugh–too loud. For a moment, it feels like real relief. Then it fades, like everything else.)​
​
RICARDO​

You think we’ll ever get our shot? Not some parking lot checkpoint. Real deployment. Something that counts?

COLE​

It’s coming. You don’t train this long for nothing.

JACKSON​

Doesn’t mean it’ll be what we expect.

(A knock at the barracks door. JACKSON rises. Opens it. Steps out. When he returns, his posture is solid, but something has shifted behind his eyes.)​

 

JACKSON​

Platoon Sergeant said orders just came down.

(COLE and RICARDO look up.)​

 

JACKSON (CONT’D)​
We’re being deployed… to Los Angeles.​

 

RICARDO​

What the hell?

JACKSON​

Crowd control. Civil unrest. Protest activity. Downtown.

(Beat. Silence chokes the air.)​

 

RICARDO​

We’re going home… in armor?

JACKSON​
(muttering)​

To face people who look like us.

COLE​
(to himself)​

We trained for enemies. Not neighbors.

(They don’t speak. They just look. At each other. At the rifles. At the weight of it all. JACKSON bends, picks up his rifle slowly.)​

 

JACKSON​

Platoon Sergeant said Battalion formation. Now.

(They rise. Sling rifles. Movements deliberate. Not slow–but loaded. COLE gives RICARDO a shoulder bump. No comfort. Just contact. Shared weight.)​

 

(They walk off. The fan clicks. Lights dim.)​

 

BLACKOUT.​
 
*****
 
Selected byRaymond Huffman
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. His work explores introspection, independence, and the surreal edges of the human condition, often merging stream-of-consciousness with restrained surrealism. He has been published in Washington Square Review (2025), The McNeese Review, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.