Chairs creak, restless and stiff,
old man in tweed mutters prayers, beads clicking
against rough fingers—years worn thin by faith.
A mother huddles over a sick child,
eyes glassy with sleepless nights,
while a girl with earbuds hums to the silent tune
of time dragging its feet.

The posters speak of health,
but the air breathes sickness,
not just of flesh but something
deeper—quiet hurts unseen.
The accents clash, yet here, words are few,
fingers flick at phones, eyes fix
on nothing, everyone lost in private wars.

A worker with calloused hands
clutches his knee, torn, betrayed by years
of backbreaking days,
while the woman beside him, face sharp,
shakes her head at the news on TV—politics,
yet no argument passes her lips today.
What’s left to fight for?
Here, they share the same hunger—
not for victory, but for relief.

Old or young, black or white,
voices bent with every tongue—
success doesn’t linger in this room.
Yet the pains, though varied, ring the same—
swallowed in sighs, woven through coughs,
woven through time itself.

The child’s eyes catch the old man’s,
a fleeting glance across the gulf,
and for a moment,
they both know what the other carries,
what we all carry,
heavy as breath and fleeting as a name
called through the door. 
 

Selected byRaymond Huffman
Grady VanWright

G. Edwin VanWright is a Houston-based playwright, novelist, and poet. His work has been recognized twice on the 2026 Wigleaf Top 50 longlist (for "Checked Out," Boudin, and "The Corners," South Florida Poetry Journal), and his play A Funny Thing Happened on the Way to the Morgue won the Kinsman Black Box Award from Kinsman Avenue Publishing.

 

His work has appeared in Washington Square Review (2025), The McNeese Review, Querencia Press, Phil Lit Journal, The Genre Society, The Dead Mule School of Southern Literature, and several other literary journals.