Dead man came softly to knock on her door.
He said Don’t forget how you knew me before.

Dead man sat down to rest in the hall,
He looked at her paintings hung up on the wall.

He said that the best was the murder of crows.
She said they were rooks, he said she should know.

     The wind on the hill, the tree by a tomb.
     The moon on the moor, the fire in her room.

He asked for whisky; she offered him tea.
A shiver swept through him, as grey as the sea.

They brokered their loss as the night slid away.
She woke in a chair at the cold edge of day.

The dead man was gone, though traces remained –
some mud and some moss, a few tear drop stains.

     The wind on the hill, the worms in the earth,
     the moon on the moor, the fire in her hearth.

Marc Woodward

http://marcwoodwardpoetry.blogspot.com/

 

Marc Woodward is a poet whose work has been widely published, and a musician (though now retired due to Parkinson’s Disease) who has performed and taught internationally.

He won the 2025 Hippocrates International Prize for Poetry in Medicine and has been shortlisted for the Bridport Prize, commended for the Aesthetica Award and Acumen prize and is a Pushcart nominee.

A New Yorker by accident of birth, he has been resident in rural Devon, England for a loooooong time.

Recent collections:

‘Fright of Jays’ published 2015 by Maquette Press;

’Hide Songs’  published 2018 by Green Bottle Press.

’The Tin Lodes’ (co-written with Andy Brown) published 2020 by Indigo Dreams Press.

‘Shaking the Persimmon Tree’ published in 2022 by Sea Crow Press,

‘Grace Notes’ - a collection of music related poems written in collaboration with Andy Brown, Sea Crow Press, 2023.

 

He can be found on Insta @marcowoodward

and Facebook at  https://www.facebook.com/marcowoodward

 

and on twitter @marcomando or at www.marcwoodwardpoetry.blogspot.com