These dust motes, so gently pirouetting,
can, from certain angles in slanted light,
reform to embody the departed.

Libraries are full of such airborne ghosts
moving quietly between sleepy shelves,
attending to their liminal business.

Open a forgotten book, a fat tome
on Greek history say, and out they come,
liberated to scintillate in beams

sloping from tall windows; to dance in gusts
from the actions of automatic doors.
Closing the pages renders them homeless,

left to circle in whispering limbo
until one day like summoned saints, they sail
up, up, up, to peace on high picture rails.

Selected byRaymond Huffman
Image credit:Raymond Huffman

http://marcwoodwardpoetry.blogspot.com/

 

Marc Woodward is a poet whose work has been widely published in journals and anthologies, and a musician who has performed and taught internationally.

He has been shortlisted for the Bridport Prize and commended for the Aesthetica Award and the Acumen prize.

A New Yorker by accident of birth, he has been resident in rural Devon, England for a loooooong time.

Recent collections:

‘Fright of Jays’ published 2015 by Maquette Press;

’Hide Songs’  published 2018 by Green Bottle Press.

’The Tin Lodes’ (co-written with Andy Brown) published 2020 by Indigo Dreams Press.

and

‘Shaking the Persimmon Tree’ published in 4/2022 by Sea Crow Press.

‘Grace Notes’ a collection of music related poems written in collaboration with Andy Brown is due out from Sea Crow Press in 2023.

He can be found on Facebook at www.facebook.com/marcwoodwardartist

and on twitter @marcomando or at www.marcwoodwardpoetry.blogspot.com