He leaned the old wooden ladder against the house,
climbed twice to extend its heavy sections,
retreated to pick up scraper, brush, paint
and mount the lowest step to rise. Remembering
the horses he had read about or dreamed
who late in the race would bite their necks
for oxygen, he cursed his slowness
and general delay toward the chimney,
last painted some ten years prior—for the life
of him he could neither grasp nor remember
the need for such an act at all. Pausing
at each rung to lift a foot and boost,
he reached the grey-stubbled tiles,
placed one hand on the gutter and gazed
at the impossible slate. Luckily he had thought
to pour off some paint, for there would be
no setting down the can up here. He climbed
the final steps, swung behind the ladder ends
and sat, accoutrements in lap.

Gauging the sunset barometer served
only to speed his tics, so he pushed against
the ladder, somewhat, which lifted in the air,
causing him to scuttle up the roof a bit
in instant crab recoil. Pleased to be embarked,
he looked about until he spied his neighbor’s son,
raking leaves and weeping proudly to himself.
He whistled his plain-tooth note to signal
the boy’s exposure and when he looked up
waved, though the youngster only scowled
and turned to attack the growing pile—
reminding him a house requires some trinity
of occupants to thrive, that one plus ghosts
will not do. Feeling the wind lift his hair,
he moved backwards up the tiles, not as slick
as he had feared, hands and feet propelling
him slowly to the peak. What masters of lead
and rope they must have been, he marveled,
to have built a roof so slant.

Arrived, he straddled the crest and stood,
bow-legged his way toward the bricks
with arms outstretched, eyes lowered to guide
his angling feet. The chimney, of course,
loomed at the farthest end, as if, in running
to expel its breath, it had teetered at the edge
and stopped. I have you now, he thought,
and slipped face-forward, mind, gravity
and paint unspooling a fount of arching red.
Tasting slate and blood, he raised his head
to see the hawk land on the chimney,
shoot him with bald eyes and pull dark
strings from the neighbors’ half-eaten
Daschound. Spinning the best he could
to find the boy hidden by roofline, he flung
the paint can hawkward, and when it swooped,
the brush, which dropped the gutted fur-sack
into the crimson at his feet. Below, voices
bent over in shadows as he rose against
the sky, howling, red carcass aloft. 

 

Selected byRaymond Huffman
Matt Dennison

After a rather extended and varied second childhood in New Orleans

(street musician, psych-tech, riverboat something-or-other, door-to-door

poetry peddler, etc.), Matt Dennison finished his undergraduate degree at

Mississippi State University where he won the National Sigma Tau Delta

essay competition (judged by X.J. Kennedy). He is the author of Kind Surgery

from Urtica Press (Fr.) and  Waiting for Better from Main Street Rag Press.

His poetry has appeared or is forthcoming in Verse Daily, Rattle, Bayou Magazine,

Redivider, The National Poetry Review, New York Quarterly, Modern Haiku, Tulane

Review, Reed Magazine, DIAGRAM, Hiram Poetry Review, Slipstream, Soundings East,

The Midwest Quarterly, Spoon River Poetry Review and Cider Press Review,

among others. His fiction has appeared in ShortStory Substack, THEMA, GUD,

The Blue Crow (Aus), Prole (UK), The Wondrous Real and Story Unlikely.

He has also made poetry videos with Michael Dickes, Marc Neys,

Jutta Pryor & Marie Craven.

 

Kind Surgery (Urtica Press)

 https://mainstreetragbookstore.com/product/waiting-for-better-matt-dennison/

https://www.facebook.com/profile.php?id=100008709036240