“Too grabby,” my father said
of my hands rushing to break
the earthen clods before
his final slice. I should
know better the rhythm,
the routine—cut, flop,
segment, sometimes
twice—by now, the blade
warned me with relentless
strikes not fingers from my
hands too eager to shake
the worm souls loose,
knowing  to break
is better than to slice,
that one whole soul
is better than halves
no longer wiggling
but water-logged on
hooks unable to interest
the hungriest fish we’d
be lucky to see as I galloped
the bred horses of my dreams
into dark waters, wanting only
to find fullness with fullness found,
the captured to feed that which feeds.
Years later my neighbor handed me
a telegram mistakenly delivered to her.
Without waiting for another to halve
the hidden, I sliced it open to read
the news of his death complete—
my tongue forever a tent stake
or trowel, anchoring the lost,
shoveling the gone.

Selected byRaymond Huffman
Matt Dennison

After a rather extended and varied second childhood in New Orleans

(street musician, psych-tech, riverboat something-or-other, door-to-door

poetry peddler, etc.), Matt Dennison finished his undergraduate degree at

Mississippi State University where he won the National Sigma Tau Delta

essay competition (judged by X.J. Kennedy). He is the author of Kind Surgery

from Urtica Press (Fr.) and Waiting for Better from Main Street Rag Press.

His poetry has appeared or is forthcoming in Verse Daily, Rattle, Bayou Magazine,

Redivider, The National Poetry Review, New York Quarterly, Modern Haiku, Tulane

Review, Reed Magazine, DIAGRAM, Hiram Poetry Review, Slipstream, Soundings East,

The Midwest Quarterly, Spoon River Poetry Review and Cider Press Review,

among others. His fiction has appeared in ShortStory Substack, THEMA, GUD,

The Blue Crow (Aus), Prole (UK), The Wondrous Real and Story Unlikely.

He has also made poetry videos with Michael Dickes, Marc Neys,

Jutta Pryor & Marie Craven.