Always more comfortable among the strange,
prone to jump the garden fence at any startle,

I tossed no flowers upon my father’s grave
as he tossed no flowers upon my mother’s.

From eloquence to secrecy’s sublingual
inconsistencies of faith, I would, like math,

a more exotic womb in which to place
our fathers’ tongues for jaw’s own faults—

that vault wherein we all, gentle as a glass
of thunder in facile rat-skin glory, are born.

Death, that dog best undisturbed, that wonderfully
suffered child, Devastation’s blackened pit bull

enlarged by solvents’ hollow change, will gnaw
upon our moldering names.

______________________________________________________________

The author reading this poem (click on the red arrow to play):

Selected byRaymond Huffman
Image credit:Banner image: Yoksel Zok
Matt Dennison

After a rather extended and varied second childhood in New Orleans

(street musician, psych-tech, riverboat something-or-other, door-to-door

poetry peddler, etc.), Matt Dennison finished his undergraduate degree at

Mississippi State University where he won the National Sigma Tau Delta

essay competition (judged by X.J. Kennedy). He is the author of Kind Surgery

from Urtica Press (Fr.) and Waiting for Better from Main Street Rag Press.

His poetry has appeared or is forthcoming in Verse Daily, Rattle, Bayou Magazine,

Redivider, The National Poetry Review, New York Quarterly, Modern Haiku, Tulane

Review, Reed Magazine, DIAGRAM, Hiram Poetry Review, Slipstream, Soundings East,

The Midwest Quarterly, Spoon River Poetry Review and Cider Press Review,

among others. His fiction has appeared in ShortStory Substack, THEMA, GUD,

The Blue Crow (Aus), Prole (UK), The Wondrous Real and Story Unlikely.

He has also made poetry videos with Michael Dickes, Marc Neys,

Jutta Pryor & Marie Craven.