I crawl back into the warm bed for a brief goodbye
and I hold her from behind as she stretches and squints
in a sleepy sweetness beyond anything I’ve ever touched
or seen and she likes me anyway, despite who I am
and what I am and I press my face into her as she pushes
back against me, then we kiss and say goodbye and I drag
myself up and finish getting dressed as she watches me,
playfully.

And I drive off alone to work, aware of all the probable and
possible pratfalls and pitfalls that spring up along the way,
that await my arrival to deliver succulent and admirable
sucker punches to my astonished abdomen, my hands always
open at my sides, my face a hanging question mark,
always surprised and unprepared.

And the sun arches over and slowly fades out as the day moves
along with its minor disputes, silly questions,
dull office banter, and inexorable boredom as I scribble numbers
on a time sheet and listen to the cars drive by, outside,
until it’s time to go.

And this is how I waste my time, waiting for paychecks
as the days click past, walking down carpeted passageways
toward bathrooms with clogged urinals, washing my hands
at a row of sinks and watching my eyes in a mirror,
waiting for a glare or a frown or a flash of laughter
or anger as someone brushes past me on his way into a stall
and I apologize, self-consciously, edging back into a corridor,
walking sullenly back to a cubicle.

Image credit:Joao Vitor Marcilio
Douglas Goodwin

Douglas Goodwin's books include Hung Like a Hebrew National, Half Memory of a Distant Life, and Slamming it Down. The latter two include a foreword by Charles Bukowski, who championed Goodwin's verse and corresponded with Goodwin over several years. Much of the Goodwin-Bukowski correspondence appears in the feature "Letters to Douglas Goodwin" in the 2015/16 edition of the Charles Bukowski Society Jahrbuch 2015/16, edited by Roni and Sönke Mann, out of Bamberg, Germany. Goodwin also collaborated with poet Steve Richmond on the literary magazine stance in the 1980s.