He lived in the top story of a very tall house on an even higher hill far above a little
village which appeared as dry and dusty as his own world was lush and green.  He would
spend long hours looking out his window, trying to imagine the lives of the people, which
was very difficult as he had never once left the house, let alone descended the hill to feel
that foreign soil beneath his feet.  For all he knew they were not even aware of his
existence, while they were his only distraction from the complete solitude in which he
dwelled.

He did something—what, exactly, he was not sure, as walking from room to room
constituted the main of his activities—that allowed him to eat regularly.  Being provided
for in this manner, he found life to be lacking in the necessary frictions, so he looked for
things to cause him trouble and then fought with them for however many hours a day that
he could before he fell asleep or, as he called it, evaporated.  But still, between the gazing
and the fighting, he felt something was missing.  A need, an emptiness remained.  So,
being of the practical sort, he simply filled himself with whatever was at hand, being
careful not to be too careful with what he chose so that he would be well-rounded in his
fullness.  But what of the need?  Or, for that matter, the responsibility that goes with such
a blessed state?  He decided that he must share his new-found satiation with the villagers.

Thus began his habit of taking out the things he had placed in himself and carrying them
down the hill to the market where he would spread them on the ground and speak.   Or, as
he called it, Teach the Gloriness of Fullness, often in parable, seldom understood, his
favorite being one he assumed he had learned in his assumed youth about a fisherman
whose reputation for bungling had spread so far and wide that it had become a matter of
pride for the man.  One day the other fishermen saw him up on the cliffs, eating gull
droppings and pebbles, both hands going at once, now and then making wild gestures in
the direction of the sky.  When asked what he was trying to do, he had called back, To
become as stupid as the sun!  I’m already better than the rest of you!

He felt there was great wisdom in this story and that if he repeated it often enough
someone would surely approach and explain it to him.  But no, whenever he entered the
market the people would look up from their dealings and, upon seeing who it was, gather
up their wares and walk away, muttering under their breaths and being very generous
with their evil looks which, due to the rather dry and wizened appearance of these people,
were quite evil indeed.  He would reflect on this, silently praising them for their enviable
consistency of behavior, and begin spreading his taken-out-things in front of himself,
doing a little dance every time he came to a particularly pleasing one.

One day, after yet another impassioned rendition of the fisherman parable with its usual
results, equally impassioned, he realized that if he were ever to make contact with these
people—let alone be informed of the meaning of his favorite story—he would have to try
something new.  So he packed up his things and trudged back up the hill where he set
about thinking of a plan.

Several days later he rose with the sun, took out what he had placed in himself and
marched down to the market.  Only this time, instead of repeating the parable of the
fisherman, he watched the people walking away and then, before they had gone too far,
called out, A visitor!  A visitor has come!  The people slowly halted their exodus and
turned around, for it was a very small village and visitors were rare indeed.  Lured by the
prospect of a new customer, a few stepped forward, hoping to be the ones to claim the
coins in his pockets.

When a small crowd had formed, he quickly began gathering his collection of taken-out
things and molded them into a sizable mound which he set about climbing, for he had
something to say, something of undeniable importance for all, of that he was sure.  He
climbed and climbed and struggled and sweated and cursed in his effort to reach the top
before the people discovered the extreme lack of visitors and left.  Surely they will listen
this time! he panted to himself as he wiped the sweat from his eyes.  Surely they will
understand everything I have ever said this time!  Glancing behind himself he could see
there were still a few people watching him.  He must hurry!

And when at last he stood, alone and free at the top, shading the sun from his eyes and
preparing to speak, he had just enough time to notice one very old woman looking at him
very intently before he sank. 

Image credit:Frank Winkler
Matt Dennison

Matt Dennison's poetry and fiction has appeared or is forthcoming in 50 Haikus, 94 Creations, 99 Pine Street, 1870 Poetry, A-Minor Magazine, A Cappella Zoo, Absinthe Poetry Review, Abstract Magazine, The Acorn, Across the Margin, After Happy Hour, After the Pause, Aji Magazine, Akitsu Quarterly, The Alarmist, Alba, Algebra of Owls, Amaryllis, Angry Old Man, Anti-Heroin Chic, Arcadia Magazine, Array, Artful Dodge, As It Ought To Be, The Asses of Parnassus, The Aurorean, Autumn Sky Poetry Daily, Ballast Journal, Barren Magazine, Bayou Magazine, The Battered Suitcase, Beechwood Review, Belle Ombre, Big City Lit, The Big Windows Review, Bindweed Magazine, Black Buzzard Review, Black Heart Magazine, BlazeVOX Online Journal, The Blind Horse Review, Blink-Ink, Blood and Bourbon, Blognostics, Blueline Magazine, Blue Crow Magazine, Blue Earth Review, Blue Unicorn, Bohemia, BOMBFIRE, Bone & Flesh Aside, Bop Dead City, Bottle Rockets Press, The Broadkill Review, Broken Wine, Cause & Effect, Cavity Magazine, The Cerurove, The Charlie “B” Coffeehouse, Chiron Review, Cider Press Review, Clark Street Review, The Coachella Review, Coffeehouse Poets Quarterly, Columbia College Literary Review, Concho River Review, Constellate Literary Review, Controlled Burn, The Collidescope, concīs, Cottonwood Literary Magazine, Counter Punch, Coup d'Etat, Creepy Podcast, Crow Toes Quarterly, The Cryptonaturalist, Curbside Splendor Publishing, The Current, Damn the magazine, Dead Snakes, Defenestration, The Delinquent, DIAGRAM, die leere mitte, Dime Show Review, Diner, Divot: A Journal of Poetry, Dodging the Rain, dotdotdash, Dreich Magazine, The Drunken Llama, Dunes Review, E-Ratio, Ethel Zine, Eunoia Review, Every Pigeon, Exacting Clam, Existere, Eyedrum Periodically, The Fiction Pool, The Field Guide Poetry Magazine, Firewords Quarterly, The Four Faced Liar, Frogpond, G.W. Review, Gargoyle Magazine, Gnarled Oak, The Gorko Gazette, Grasslimb, Grand Little Things, Graveside Press, Great Weather For Media, GUD, Guts Publishing, The G.W. Review, haikuniverse, The Heartland Review, Heliosparrow Poetry Journal, Hiram Poetry Review, Hobo Camp Review, Horror Sleaze Trash, House of Long Shadows, In Between Hangovers, Indefinite Space, Infinite Scroll Magazine, The Inflectionist Review, Innisfree Poetry Journal, Isacoustic, Jabberwock Review, Jersey Devil Press, Juke Joint Magazine, Juked, The Knickknackery, Kudzu, Ligeia Magazine, Liminoid Magazine, Live Nude Poems, Loquacious Placemat, The Lost Poetry Club, Loud Coffee Press, The Louisville Review, The Lumberyard, Lummox Poetry Anthology, Mad Hatters' Review, The MacGuffin, Main Street Rag, Marginalia, The Mas Tequla Review, Matador Review, Matrix Magazine, The Means, Meat for Tea: The Valley Review, Melancholy Hyperbole, The Mas Tequila Review, Merion West, The Metaworker, The Midwest Quarterly, Midwestern Gothic, Milkfist, The Milo Review, Mississippi Crow, Mobius: The Journal of Social Change, The Mochila Review, Modern Haiku, The Monarch Review, Monkey Kettle, Monkey Puzzle Magazine, MONO., Moose & Pussy, Moss Trill Poetry Blog, MSU Libraries Short Edition, Muddy River Poetry Review, Muscle & Blood, The Nassau Review, The National Poetry Review, Natural Bridge, Naugutuck River Review, Nerve Cowboy, Neologism Poetry Journal, Newington Blue Press, The New York Quarterly Magazine, Night Train, Nixes Mate Review, Noble Gas Qtrly, Noon: Journal of the Short Poem, Northwest Indiana Literary Review, The Northwind Writing Award, Obsessed With Pipework, Oddball Magazine, The Old Red Kimono, Olympia Review, One Art: A Journal of Poetry, One Hand Clapping, One Sentence Poems, Octentatious Mind, ‘p[oOther Poetry, Otoliths, Owen Wister Review, Oyez Review, The Panhandler, Paper Wasp, Pembroke Magazine, Penwood Review, Petite Hound Press, Petrichor Machine, The Phantomicon, Pilgrimage, POETiCA Review, The Poetry Bus, Poetry Quarterly, The Portland Review, PØST, Pouch, Prole, Quatrain.Fish, Quarter After Eight, Qwerty Magazine, Rabbit Catastrophe, Rambunctious Review, Random Sample, Rattle, Raw Dog Press, Red Fez, Red Wheelbarrow, Redactions, Red Eft Review, Redivider, Reed Magazine, Riddled With Arrows, The Rising Phoenix Review, The Roanoke Review, Rue Scribe, The Rumen, Runes, The Rusty Truck, The Rye Whiskey Review, Sadwrn, San Pedro River Review, Saranac Review, Satori, Scapegoat Review, Sein und Werden, Sheepshead Review, Short Circuit, Sierra Nevada Review, Slippage Lit, Slipstream, Snow Monkey, Sonic Boom, Sonoma Mandala Literary Review, Soor Ploom Press, Sortes Magazine, Soul-Lit, Soundings East, The Sow’s Ear, Spillway, Spitball, The Spoon River Poetry Review, Sprung Formal, Stanza Cannon, Star 82 Review, Steam Ticket, Steel Toe Review, Stephen A. Dibiase Poetry Contest, Stickman Review, Steel Toe Review, Stickman Review, Still Points Art Quarterly, Strange Poetry, Stray Dog, Stymie, Sublunary Review, The Sun, SugarSugarSalt Magazine, Survision Magazine, Temenos, Thema, Third Lung Review, Third Wednesday, Toucan Review, Trailer Park Quarterly, Tree Killer Ink, Trampoline, Triggerfish Critical Review, Trouvaille Review, Tulane Review, Turbulence, Twelve Mile Review, Two Thirds North, Ubu, The UCity Review, Under the Basho, The Ugly Tree, The Unrorean, Up the Staircase Quarterly, Urtica Lit Blog, Viewfinder Literary Magazine, Vita Brevis Poetry Anthology, Veil: Journal of Darker Musings, Visions International, Waterways, Welter, Whale Road Review, Whiptail: Journal of the Single-Line Poem, Whiskey Island, White Stag Journal, White Wall Review, The Wild Word, The Windless Orchard, Witcraft, The Writer’s Circle Anthology Series, The Wondrous Real, Yellow Silk, Yemassee, Zymbol





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