A white crane about
the size of a small single-
prop airplane is just

now dropping down out
of the big blue nowhere and
coming to a rest

upon what appears
to be an old road sign that’s
poking up at a

slight angle from an
eight-teen acre pond on a
farm, just outside of

Lyons, KS, where
a shirtless old man with an
ancient rod and reel

and a tall-boy of
Hamms, is immersed up to his
bony, Bermuda-

shorted knees (looking
positively Hemingway-
esque in his fashion-

ably floppy old
camo boonie-hat ), shouting,
Hey, you boys, look at

that great, big son-of-
a-bitch!, 
while a cat chases
moths through the tall grass.

 

 

Selected byRaymond Huffman
Image credit:Geoff Brooks
Jason Ryberg

Jason Ryberg is the author of nineteen books of poetry,

six screenplays, a few short stories, a box full of folders,

notebooks and scraps of paper that could one day be

(loosely) construed as a novel, and countless

love letters (never sent). He is currently an artist-in-

residence at both The Prospero Institute of Disquieted

P/o/e/t/i/c/s and the Osage Arts Community, and is an

editor and designer at Spartan Books. His latest collection

of poems is “Bullet Holes in the Mailbox (Cigarette Burns

in the Sheets) (Back of the Class Press, 2024).”

He lives part-time in Kansas City, MO with a rooster

named Little Red and a Billy-goat named Giuseppe,

and part-time somewhere in the Ozarks, near the

Gasconade River, where there are also many strange

and wonderful woodland critters.