These old streets drive through me;

pieces of sky look like raindrops,
so no one panics when they land.

I think of sackcloth and ashes,
remember all the spent people

who dropped away as rocket stages
or spilled into galaxies like cinnamon,

and I realize too much of my life
is about managing regrets.

This town wouldn’t dare
make another sales pitch.

I’ve never seen a thing in real time –
not the belated light of the sun,

not the cobblestone church
that switched saints in my absence,

not the slow turnover of cells
holding my soul’s long term lease.

I can still do the flamingo
long enough to pull on socks,

but I can’t figure out the key
of the ringing in my ear

or why the left side of my face
dropped more than the right.

I arrive, see there are no marigolds;
they were my mother’s favorite.

I enter with a gentle knock,
hear him rustling on the sofa,

the superhero of my youth,
grounded by grief and time.

Hi Dad, I say from the foyer,
and try to convince myself

this is not a premonition.

Image credit:Ann Zakharova

Hugh does not prefer to talk about himself in the third person, but if he did, he'd tell you he's in a self-imposed exile on the east coast of the USA, but still loves his former home in the Sonoran Desert. He is the author of Odd Numbers And Evensongs and Auditions For The Afterlife.