shadows migrate towards the fence-line
with its shredded plastic fluttering
like the rage of those denied escape

they are the formless ones   faceless familiars
hidden in vaguely remembered conversations
who look away when approached   like dogs
who have given up on the crunch of gravel
and live with that abandonment

they are the prisoners of history who made the count   
missing are the rootless ones who withered   
the stony ones who gazed so long
at the perfectly ordered grains of sand in mortar
they became absorbed into the joints of the asylum wall

and the clumsy ones who tried to forget the past
but became immune to the present
it’s the drawback of being a stranger to yourself  
without the shadows of the past
we are like babies   blinded by the light

i have seen them also in their cities
emerging at lunchtime like hermit crabs   
soft-skinned creatures nervously scuttling for food
bearing plastic coffee cups    withdrawing into them
when they sense the shadow of a circling gull or stalking crow

they are perfectly camouflaged amongst the human debris
but when time is up they take a risk and scuttle back
wary all afternoon they won’t become prey
to the clownfish the pufferfish and the king crabs
who rule their shared work space

they think the answer lies beyond the fence
beyond the top floor   the city limits   the asylum wall
my watch tower is a bed with tangled sheets and vivid dreams
eyes closed   my own shadow leads the charge
eyes open   i tell them there are no shadows on the other side

Selected byRaymond Huffman
Image credit:Olybrius, via Wikimedia Commons
Cameron McClure

Cameron McClure doesn’t exist. He is the pen-name for a  permanently retired civil servant who lives in Northern Ireland and likes nothing better than competitive banter over a pint or two. He believes it will all come right on the night because he’s happier that way and no-one has yet proved him wrong though a lot of well-meaning people try to for some reason.