The humidity sat
like a hand on her neck.
Even the silverware
seemed to wilt.
He stirred his coffee
slow,
like it might speak.
His shirt clung—
young,
distracted.
She watched
and said nothing.

She’d worn her hair like that
once,
before it had to fit
beneath something.
He glanced—once—
then turned,
like she’d asked
more than she should.
She felt the stir—
slow,
expectant—
and said nothing,
just as the coffee had.
She smiled,
just her mouth.
The kind you give
when touch
learns
to wait.

She stood.
Straightened the belt.
The vest pulled.
Keys tapped her thigh.
She walked past
the thing that didn’t happen.
Opened the door—
radio static,
leather seat,
bearing the weight
of being seen
before being understood.

Selected byRaymond Huffman
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. He writes in a style he calls muscular lyricism—a fusion of Hemingway’s grit, Joyce’s lyricism, and Camus’ philosophy of the absurd, where clarity and compression meet rhythm and existential depth.

 His poems balance strength and tenderness, silence and rhythm, absurdity and hope. He has been published in Washington Square Review (2025), The McNeese Review, South Florida Poetry Journal, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, Mayday Magazine, The ManifestStation Magazine, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.