After lying awake half the night,
trying to meditate and visualize
a successful job interview
leading to an actual job;
after holding completely still, imagining colors
and trying to relax, trying to see
the sympathetic vibrations,
trying to imagine what it must be like
to smile confidently
and speak eloquently and articulately
about myself,
and about my virtues
and about the uniqueness
of my job skills
and about my vast and relevant
professional experience …

After lying uncomfortably awake,
wallowing in anxiety and the familiar sensation
of impending doom
that drifted and became total indifference
which then turned into a kind of resignation
and then into night fear and self-loathing
and a sense of hopelessness that finally became
an all encompassing, overwhelming despair …

After trying to envision a rich and powerful spectrum
of beautiful, luminescent colors
and a human smile
at the end of an eager handshake,
I woke up unhappy and unconvinced
and I proceeded to get on with it,
dragging myself through my paces
like stations of the cross: the toilet, the shower,
the bathroom sink,
vitamin pills in the kitchen,
clothes on the bed.

I gazed into the mirror as I brushed my hair.
I squared my shoulders and straightened my tie.
I tried to smile with both of my eyes
but it didn’t work
again.

Image credit:Sydney Sims
Douglas Goodwin

Douglas Goodwin's books include Hung Like a Hebrew National, Half Memory of a Distant Life, and Slamming it Down. The latter two include a foreword by Charles Bukowski, who championed Goodwin's verse and corresponded with Goodwin over several years. Much of the Goodwin-Bukowski correspondence appears in the feature "Letters to Douglas Goodwin" in the 2015/16 edition of the Charles Bukowski Society Jahrbuch 2015/16, edited by Roni and Sönke Mann, out of Bamberg, Germany. Goodwin also collaborated with poet Steve Richmond on the literary magazine stance in the 1980s.