The air is a velvet rope, coiled tight ’round my chest.
Breath unspools silver wire, threading ribs,
tugging my spine toward a fluorescent stage.

Copper lingers on the wind —
the breath of oilfields through my cracked lips,
asphalt syrup pooling on the horizon.
Cacti lean like drunken barons,
their spines dusted with forgotten sermons.

I dream of a mesquite podium
where success dangles like a garnet pendant,
swinging slow before glassy eyes.
My voice spills thick as motor oil,
staining sand, staining sky.

Tonight, the moon bleeds —
under the menstruating moon —
a crimson porthole in heaven’s stern.
Clouds press like gauze to her wound,
dripping slow over corrugated roofs
where lovers scald their skin on steel.

I want that burn — iron heat —
fingernails like rust scraping flesh.
Hunger flares, an ember spitting sparks
that scald my palms.

“Texas tonight,” I mutter to no one,
feet tracing armadillo bones.
A thirst swells in my chest —
dry whiskey drowning in its own glass.
I ache for asphalt thighs,
the tar-scented warmth of a body
that smells like sage and gasoline.

A tumbleweed scuttles by — a dry skull of twigs —
and I wonder if success is just a fistful of air,
a voice locked in a payphone,
whispering promises to a receiver gone cold.

Still, I walk toward the red wound in the sky,
the bleeding eye that watches and waits —
aching to be seen, aching to be kissed,
aching to be whole beneath my hands.

Selected byRaymond Huffman
Image credit:OAF
Grady VanWright

Grady VanWright is a poet, author, and playwright based in Houston, Texas. He writes in a style he calls muscular lyricism—a fusion of Hemingway’s grit, Joyce’s lyricism, and Camus’ philosophy of the absurd, where clarity and compression meet rhythm and existential depth.

 His poems balance strength and tenderness, silence and rhythm, absurdity and hope. He has been published in Washington Square Review (2025), The McNeese Review, South Florida Poetry Journal, Oddball Magazine, Blood+Honey, Querencia Press, The Genre Society, The Dead Mule School of Southern Literature, Sheila-Na-Gig, Mayday Magazine, The ManifestStation Magazine, and other literary journals. He is a member of The Authors Guild and The Poetry Society of New York.