“And Darkness and Decay and the Red Death held illimitable dominion over all.”

At the last midnight ever to fall,
the clock’s brazen lungs swelled full
and exhaled twelve sonic ebony sighs
that shuddered against the welded gates
and made the airtight abbey shake.

The dancers halted stupefied
and the music hobbled to a hush
at the advent of the uncanny guest
in his cadaverous eyeless mask
clad in the vesture of the grave.

      Who presumes, who makes so bold?​
      Who dares dishonor this masquerade​
      of laughter and Terpsichore​
      and lotos-devouring lunacy​
      with uninvited grief and thought?​

 

So cried the Prince, chasing the stranger
through his seven suites bedight
in lapis blue and lavender,
in emerald and tangerine,
in ivory and heliotrope,

until, in a chamber of sable velvet
glowing vermillion by fiery braziers
shining through panes of tinted glass,
the Prince cornered and challenged him,
guise to guise and mask to mask.

        You! Profaner of mockeries,​
        delinquent in mandatory scorn—​
        kneel before your sovereign lord;​
        prepare your flesh for my dagger’s delight,​
        your blood to quench these stones!​

 

But neither stones nor knife were sated,
and the Prince ached with unbidden sorrow.
How strange, he thought, that any mischance
should visit so noble a potentate,
so wise, so frugal, and so great.

Why, he wondered, should he be sad,
sequestered with his chosen kindred
while the Red Death raged outside?
He gazed upon the faceless stranger,
whose very silence made reply.

        You fail to recognize me, sire?​
        Does the Prince deny his faithful son? ​
        I’ve been too long from home, I fear.​
        But how could you forget a child​
        hatched fully grown from your lifeless heart?​
​
        You nourished me at your barren breast;​
        I learned all things at your cruel feet;​
        All that you are, so I must be;​
        what your will would have, so I must do;​
        thus I have served you throughout your realm.​
​
       No soul survives in Greed’s dominion;​
       No children play in the empire of Hate.​
       No life throbs in the kingdom of Conceit.​
       Do I appear in the guise of Death? ​
       I am yourself—manifest, incarnate.​

 

The privileged revels now all ended,
the stranger crumbled into dust.
The Prince retraced his wending steps
through the mute particolored suites
and found his merry throng all slain.

But tender no tears for the Prince;
rather you may envy him,
for Hell is Heaven for the Damned.
He abides in welded, airtight bliss
within his castellated walls

roaming among those putrid remains
(worthy companions at long last!)
sheltered forever from all he dreads—
new buds, new blossoms, new hopes, new laughter,
all bourgeoning amid death’s decay.

Selected byRaymond Huffman
Image credit:Arthur Rackham
Wim Coleman

Wim Coleman is a playwright, poet, novelist, and nonfiction writer. His poetry has been published in The Opiate, Dissenting Voice, Tuck Magazine, Vita Brevis, The Esthetic Apostle, Dream Noir, Visitant, The Thieving Magpie, Levee Magazine, and other publications. His book of poetry I.O.U. was published in 2020. His play Shackles of Liberty was the winner of the 2016 Southern Playwrights Competition. His recent plays include The Mad Scene, which has been described a "an Our Town about the French Reign of Terror," The Harrowing, "a rhapsody on a theme by Mary Shelley," and Wiser than the Night, a drama of ideas that asks a trenchant question about democracy, "What went wrong?" Novels that he has co-authored with his wife, Pat Perrin, include Anna’s World, the Silver Medalist in the 2008 Moonbeam Awards, and The Jamais Vu Papers, a 2011 finalist for the Eric Hoffer/Montaigne Medal. Wim and Pat lived for fourteen years in Mexico, where they adopted their daughter, Monserrat, and created and administered a scholarship program for at-risk students. Wim and Pat now live in Carrboro, North Carolina. They are members of PEN International. Blog: playsonideas.com.