When I was quite young, our neighbors’ daughter
was going to school to be a teacher and had learned
from her parents I spent many hours alone
in the woods. Eager to find out what questions
an eight-year-old boy might have regarding
the natural world, I was summoned to their house,
made to sit, offered a cookie and the opportunity
to ask any and all questions I might have
but I had none. I was the woods—the streams,
the river, the trees, the skulls, bones and fossils,
the earth breaking from tree roots exposed above
stream beds, all creatures under rock, in soil and air—
the soft-spined hellgrammite, the various suckers
and snails, catfish and bass and dinosaur gar
from another world—turtles snapping and boxed,
snakes of water and land, insects under bark
and on carcasses, the dried skins of discarded
fish in the weeds, hornets under downed limbs,
soils both sandy and clay-like, the slick clay itself
and snake grass and arrowheads and Civil War bullets
and rusty old beer cans so empty it hurt and bridges
of wood and concrete with bad words layered
and scraped into each and sand caves under trestles
where wild boys died for being wild boys and springs
from hillsides with water so cool and reaching my hand
into holes in the riverbank, praying for fight or shaking
hands with God at the tug of a fish and the struggle to
catch, to have and to hold small creatures and save them
in dark places, lift them in bright spaces and look into
their eyes to see if I could see myself staring back from heaven—
but I had no questions for the teacher-to-be and I did not care,
for I had small monsters in alcohol pill bottles, spread across
pin boards, staring from shelves, whispering from walls
and sleep talking in drawers who had already told me
everything I would ever need to know.

Selected byRaymond Huffman
Image credit:Matt Dennison

Matt Dennison’s poetry and fiction  has appeared or is forthcoming in:

 

50 Haikus, 94 Creations, 99 Pine Street, 1870 Poetry, A-Minor Magazine, A Cappella Zoo, Absinthe Poetry Review, Abstract Magazine, The Acorn, Across the Margin, After Happy Hour, After the Pause, Aji Magazine, Akitsu Quarterly, The Alarmist, Alba, Algebra of Owls, Amaryllis, Angry Old Man, Anti-Heroin Chic, Arcadia Magazine, Artful Dodge, As It Ought To Be, The Asses of Parnassus, The Aurorean, Autumn Sky Poetry Daily, Ballast Journal, Barren Magazine, Bayou Magazine, The Battered Suitcase, Beechwood Review, Belle Ombre, Big City Lit, The Big Windows Review, Bindweed Magazine, Black Buzzard Review, Black Heart Magazine, Blazevox Online Journal, Blink-Ink, Blood and Bourbon, Blognostics, Blueline Magazine, Blue Crow Magazine, Blue Earth Review, Blue Unicorn, Bohemia, BOMBFIRE, Bop Dead City, Bottle Rockets Press, The Broadkill Review, Cause & Effect, Cavity Magazine, The Cerurove, Chiron Review, Cider Press Review, Clark Street Review, The Coachella Review, Coffeehouse Poets Quarterly, Columbia College Literary Review, Concho River Review, Constellate Literary Review, Controlled Burn, The Collidescope, concīs, Cottonwood Literary Magazine, Counter Punch, Coup d'Etat, Crow Toes Quarterly, The Cryptonaturalist, Curbside Splendor Publishing, The Current, Dead Snakes, Defenestration, The Delinquent, DIAGRAM, Dime Show Review, Diner, Divot: A Journal of Poetry, Dodging the Rain, dotdotdash, Dreich Magazine, The Drunken Llama, Dunes Review, E-Ratio, Ethel Zine, Eunoia Review, Every Pigeon, Exacting Clam, Existere, Eyedrum Periodically, The Fiction Pool, The Field Guide Poetry Magazine, Firewords Quarterly, The Four Faced Liar, Frogpond, G.W. Review, Gargoyle Magazine, Gnarled Oak, The Gorko Gazette, Grasslimb, Grand Little Things, Graveside Press: Illustrated Poetry Anthology, Great Weather For Media, GUD, Guts Publishing, The G.W. Review, haikuniverse, The Heartland Review, Heliosparrow Poetry Journal, Hiram Poetry Review, Hobo Camp Review, Horror Sleaze Trash, In Between Hangovers, Indefinite Space, Infinite Scroll Magazine, The Inflectionist Review, Innisfree Poetry Journal, Isacoustic, Jabberwock Review, Jersey Devil Press, Juke Joint Magazine, Juked, The Knickknackery, Kudzu, Ligeia Magazine, Liminoid Magazine, Live Nude Poems, Loquacious Placemat, The Lost Poetry Club, Loud Coffee Press, The Louisville Review, The Lumberyard, Lummox Poetry Anthology, Mad Hatters' Review, The MacGuffin, Main Street Rag, Marginalia, The Mas Tequla Review, Matador Review, Matrix Magazine, Meat for Tea: The Valley Review, Melancholy Hyperbole, The Mas Tequila Review, Merion West, The Metaworker, The Midwest Quarterly, Midwestern Gothic, Milkfist, The Milo Review, Mississippi Crow, Mobius: The Journal of Social Change, The Mochila Review, Modern Haiku, The Monarch Review, Monkey Kettle, Monkey Puzzle Magazine, MONO., Moose & Pussy, Moss Trill Poetry Blog, MSU Libraries Short Edition, Muddy River Poetry Review, Muscle & Blood, The Nassau Review, The National Poetry Review, Natural Bridge, Naugutuck River Review, Nerve Cowboy, Neologism Poetry Journal, Newington Blue Press, The New York Quarterly Magazine, Night Train, Nixes Mate Review, Noble Gas Qtrly, Noon: Journal of the Short Poem, Northwest Indiana Literary Review, The Northwind Writing Award, Obsessed With Pipework, Oddball Magazine, The Old Red Kimono, Olympia Review, One Art: A Journal of Poetry, One Hand Clapping, One Sentence Poems, Other Poetry, Otoliths, Owen Wister Review, Oyez Review, The Panhandler, Paper Wasp, Pembroke Magazine, Penwood Review, Petite Hound Press, Petrichor Machine, Pilgrimage, POETiCA Review, The Poetry Bus, Poetry Quarterly, The Portland Review, PØST, Pouch, Prole, Quatrain.Fish, Quarter After Eight, Qwerty Magazine, Rabbit Catastrophe, Rambunctious Review, Random Sample, Rattle, Raw Dog Press, Red Fez, Red Wheelbarrow, Redactions, Red Eft Review, Redivider, Reed Magazine, Riddled With Arrows, The Rising Phoenix Review, The Roanoke Review, Rue Scribe, The Rumen, Runes, The Rusty Truck, The Rye Whiskey Review, Sadwrn, San Pedro River Review, Saranac Review, Satori, Scapegoat Review, Sein und Werden, Sheepshead Review, Short Circuit, Sierra Nevada Review, Slippage Lit, Slipstream, Snow Monkey, Sonic Boom, Sonoma Mandala Literary Review, Soor Ploom Press, Sortes Magazine, Soul-Lit, Soundings East, The Sow’s Ear, Spillway, Spitball, The Spoon River Poetry Review, Sprung Formal, Star 82 Review, Steel Toe Review, Stephen A. Dibiase Poetry Contest, Stickman Review, Steam Ticket, Steel Toe Review, Stickman Review, Strange Poetry, Stray Dog, Stymie, Sublunary Review, SugarSugarSalt Magazine, Survision Magazine, Temenos, Thema, Third Wednesday, Toucan Review, Trailer Park Quarterly, Tree Killer Ink, Trampoline, Triggerfish Critical Review, Trouvaille Review, Tulane Review, Turbulence, Twelve Mile Review, Two Thirds North, Ubu, The UCity Review, Under the Basho, The Ugly Tree, The Unrorean, Up the Staircase Quarterly, Urtica Lit Blog, Viewfinder Literary Magazine, Vita Brevis Poetry Anthology, Veil: Journal of Darker Musings, Visions International, Waterways, Welter, Whale Road Review, Whiptail: Journal of the Single-Line Poem, Whiskey Island, White Stag Journal, White Wall Review, The Wild Word, The Windless Orchard, The Writer’s Circle Anthology Series, The Wondrous Real, Yellow Silk, Yemassee, Zymbol

 

 

He has also made poetry videos with Michael Dickes, Marc Neys, Jutta Pryor & Marie Craven,

 https://www.barnesandnoble.com/w/kind-surgery-matt-dennison/1135926181

 https://mainstreetragbookstore.com/product/waiting-for-better-matt-dennison/

https://www.facebook.com/profile.php?id=100008709036240